They used a vintage machine owned by jazz legend Chick Corea as the basis of their analysis and spent a lot of time doing detailed models of the 3-oscillator architecture, ladder filter and overdrive. If you’re going to emulation a legendary old synthesizer then why not tackle the big one the Memorymoog? With Memorymode Cherry Audio has attempted to capture the mother of all polysynths. As a bonus they also come with a distortion plugin. These are not huge enveloping synths that will wrap you in a blanket of sound, these are sharp, useful algorithms that’ll sequence brilliantly and cut through a mix. What’s brilliant about them is how simple and perfectly poised they are. It’s all wrapped up in a zany interface that can only add to the madness. So the envelope, the VCA and an intense filter with a nicely wobbly chorus. The “Vereor” section of each synth builds in the dynamics that the original modules didn’t have. Virt Vereor has a unique set of algorithms featuring Bass, Quadrature, SawX and Harm all of which found themselves in the Arturia MicroFreak V3 update. You’ll find noise, percussion, effects and a Super mode that adds 6 phase-offset oscillators for a big evolving sound. However, there are different modes that have a habit of pulling sound apart and rebuilding it in deliciously animated and exciting ways. Sinc Vereor is deceptively simple with classic waveforms and a handful of familiar synthy controls. They come from Noise Engineerings digital oscillator Eurorack modules which make them immediately quirky and a bit different from the norm.
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They come together for free and are both stunningly good in a raw and juicy kind of way. Ok, so it’s two synths but they are based on the same engine but use different algorithms. Noise Engineering Sinc Vereor and Virt Vereor It sounds great, is in constant development and is a fascinating playground of synthesis and sound design. And if it all gets a bit boggling then you can spend time with the excellent range of presets or spend some time with the simple building blocks of synthesis and start there.
You can even add wave sequencing up to 32 steps.
Hyperion has sound generators ranging from simple waveforms to 4 operator FM, Soundfonts, multisamples and physical modelling. And you’ll find every type of sound design tool you could possibly imagine in here. Each node has a familiar-looking synth panel for parameter adjustment and you can very quickly build up fascinating amounts of modulation and manipulation. The interface could be a barrier but actually, once you start peeling back the layers you’ll find it’s very logical and has an enormous amount of power. It should be a lot more complicated than it is, I mean that interface is enough to scare people off, but once you start playing the presets you’ll find it’s astonishingly good. Hyperion somehow manages to bring together a complex arrangement of modular synthesis, audio nodes and deep control into a very playable multi-layered and enjoyable synthesizer.
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